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Field Guide - Art exhibition on Feral File

Curator’s Note

Artnome - Jason Bailey avatar

Artnome - Jason Bailey

20 January 2022

Evolution in Small Multiples

Before they go into the water, a diver cannot know what they will bring back. —Max Ernst Digital art, and specifically generative art, is exciting for its ability to dramatically open up possibilities for artists looking to discover and share new worlds. Exploring hundreds of variations of a single image or theme using analog tools for drawing and painting can take years or decades. With computing and digital tools, we have the ability to rapidly generate near-infinite variations, exploring ideas faster and deeper through systems of our own design. Rather than act as a mirror, dutifully recreating or reporting back on the world around us, these artists often act as a portal to an entirely new universe. A universe where the artist has crafted unique entities from scratch through many compressed cycles of evolution. A universe where fascinating beings and impossible environments blend the foreign and the familiar, giving us a sense that there is life here, but perhaps not life as we’ve known it. For Field Guide, I’ve curated a selection of artists, each with their own distinct aesthetic, but all of whom I believe share a circuitous process of artistic discovery and a remarkable ability to breathe life into new forms. As a curator’s prompt, and in a nod to the new life and habitats created with generative art, I’ve asked the five artists to create a set of two new works around the ideas of “specimen” and “ecosystem.” In this show I wanted to focus on the artistic process for each artist, highlighting how the proliferation of work afforded by digital tools often leads the artist to spend as much time curating as creating. However, it can be hard for the viewer to gather much context when looking at just one or two works by an artist. So as part of my prompt, I also asked them to leverage Edward Tufte’s concept of small multiples. Small multiples display a set of images in close proximity together, typically in a grid-like pattern, to facilitate comparisons across the full group of images at a glance. While small multiples is a concept borrowed from the field of data visualization and information design, it is a technique often adopted knowingly or otherwise by artists seeking to share process and evolution in a single image. From an interview I conducted with Jared S Tarbell in 2020:

“Another particularly powerful lesson I learned from Tufte was small multiples, which applies to generative systems. You can build this machine that generates an infinite number of forms, but all very similar forms. But how do you show what the machine is doing to people? The way to do that is by just laying small multiples right next to each other. When the outputs of the machine are all next to each other, you get an idea that this is a system — this isn’t a single image.”

With Field Guide, I was hoping the simple prompt around “specimen” and “ecosystem” combined with the display of small multiples would provide unifying conceptual and aesthetic guardrails without dampening the artists’ creativity. I couldn’t be more thrilled with the work the artists came back with.
Entity by Jared S Tarbell

Jared S Tarbell

Entity

Edition of 100

Environment by Jared S Tarbell

Jared S Tarbell

Environment

Edition of 100

Hypothetically Micro thumbnail

Iskra Velitchkova

Hypothetically Micro

Edition of 100

Hypothetically Macro thumbnail

Iskra Velitchkova

Hypothetically Macro

Edition of 100

In Search of Your Digital Self by Sasha Belitskaja

Sasha Belitskaja

In Search of Your Digital Self

Edition of 100

The Future of Your Digital Space by Sasha Belitskaja

Sasha Belitskaja

The Future of Your Digital Space

Edition of 100

Blooming Valetudinarian thumbnail

Ilya Shkipin

Blooming Valetudinarian

Edition of 100

Malade Imaginaire thumbnail

Ilya Shkipin

Malade Imaginaire

Edition of 100

neural swarm thumbnail

Sofia Crespo

neural swarm

Edition of 100

hedgerow still life thumbnail

Sofia Crespo

hedgerow still life

Edition of 100

Jared S Tarbell avatar

LocationWashington, U.S.

Jared S Tarbell is a generative artist who writes computer programs to build software machines. The machines generate geometric structures. Most machines output an infinite number of forms. The forms are expressed as graphic images, machine cut physical artifacts, video animations, and interactive experiences. Jared graduated from New Mexico State University in 2000 with a degree in Computer Science. He was the founder of Levitated.net. In an effort to create a better way to sell his digital art online, he co-founded Etsy in 2005 where he was known as the “wizard in the desert.”
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Iskra Velitchkova avatar

LocationMadrid, Spain

Iskra Velitchkova is an artist currently based in Madrid. Her work explores the present and potential interactions between humans and machines, and how instead of making technology more human, this relationship can push us to better understand our limits. She believes that roots and tradition can nurture her work with greater truth. After a stint in the tech and artificial intelligence industry as a visual thinker, Iskra decided to apply her knowledge and experience to her own research using art as a medium for generative explorations. Her work is based on mixed techniques: both digital and physical.

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Sasha Belitskaja avatar

LocationGlasgow, Scotland

Sasha Belitskaja is an Estonian architectural designer, NFT artist, and UX developer whose work centers on novel interactive design models and the interplay of new emergent aesthetics. Her projects focus on utilizing computer graphics and game engine technology to explore new forms of connectivity between audience, creator, and community. Her experimental work and proposals have been published internationally, and she has taught workshops on building dynamic spatial conditions through custom built game design environments and experimental 3D modeling softwares. She received her bachelor of architecture from the University of Dundee, graduating with distinction, before continuing her masters' studies at Die Angewandte in Studio Greg Lynn. Throughout her professional career, Sasha has worked for award-winning internationally-known design offices in Stuttgart, Vienna, London, and Los Angeles. She is a co-founder of mixed reality architecture studio iheartblob and recently authored the book iheartblob - Augmented Architectural Objects: A New Visual Language.
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Ilya Shkipin avatar

LocationCalifornia, U.S.

Ilya Shkipin is a classically trained artist that received a bachelor’s degree in illustration at the Academy of Art University in San-Francisco. For many years he has experimented with expressionistic figurative painting, and he worked as an artist in the Bay Area before incorporating neural networks into his work. He uses various neural networks such as VQGan, Clip, and Styletransfers to achieve his vision to “disturb the comfortable and comfort the disturbed.” With his work, Shkipin explores the blending and deconstruction of a figure through abstraction, kind of like how dreams deconstruct forms and memories.
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Sofia Crespo avatar

LocationLisbon, Portugal

Sofia Crespo is an artist with a huge interest in biology-inspired technologies. One of her main focuses is the way organic life uses artificial mechanisms to simulate itself and evolve, this implying the idea that technologies are a biased product of the organic life that created them and not a completely separated object. Crespo looks at the similarities between techniques of AI image formation and the way that humans express themselves creatively and cognitively recognize their world. Her work brings into question the potential of AI in artistic practice and its ability to reshape our understanding of creativity. On the side, she is also hugely concerned with the dynamic change in the role of the artists working with machine learning techniques. She’s also the co-founder of Entangled Others Studio.
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