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In Medias Res - Art exhibition on Feral File

Curator’s Note

FEMMEBIT avatar

FEMMEBIT

17 August 2023

Cyber Wave Feminism: A Love Letter to Los Angeles’s Coastal Chaparral

The exhibition In Medias Res celebrates the contributions of feminist and post-cyberfeminist artists who live in the vibrant city of Los Angeles. The artworks in this exhibition reflect today’s digital uprootedness from time-based narratives of the silver screen to invoke liminal spaces of belonging. They challenge conventional definitions of cities and urban identities in relation to mainstream media, geography and land ownership. The exhibition takes its name from the narrative device “in medias res,” a Latin term defined as “into the midst of things.” Suggested by this phrase, the nine artists in the exhibition invite us to engage with the heart of their stories, wherein they explore their personal relationships to Los Angeles as they negotiate daily life in relation to Hollywood and society at large. “In medias res” is also a comment on the nature of Non-Fungible Tokens (NFTs) themselves — media without a beginning, middle or end. As still or looping moving images, NFTs have a strange relationship to time, often depicting states of emergence as powerful vignettes. In this sense, NFTs might be considered “in the midst of things,” post-time and post-narrative, especially in contrast to the conventions of storytelling in film. This exhibition had its own beginning in the midst of a larger project, FEMMEBIT, which began in 2016 as a festival for LA artists that first took place at Human Resources LA in Chinatown. Since then, core membership has varied, but our goals have remained the same: we offer a platform to showcase female and non-binary artists’ distinctive voices and perspectives. As a grassroots movement, FEMMEBIT seeks to inject progressive viewpoints into digital futures. The artists selected for this exhibition are LA-based and LA-adjacent, with rigorous art practices in film, digital art and internet culture. These artists reinterpret the visual mainstays of Los Angeles from personal, multicultural, dreamlike, queer, decentralized, and other alternative histories to explain Los Angeles far better than Hollywood’s palm-dappled, hegemonic and heteronormative “Barbie”-esque ideations. The “Barbie” phenomenon is as much about Hollywood idealization as it is about a doll. American culture continues to express an urgent need for idyllic, dreamlike escapes, often in the face of global catastrophe. This exhibition pursues deeper implications at the heart of American mainstream culture to create alternative spaces of belonging in both the City of Angels and society at large. While FEMMEBIT has and will continue to provide in-person events, the pandemic recalibrated support for artists. In this sense, we see NFTs as a way to not only financially support art created by womxn, femmes and non-binaries, but also to aid in a general understanding of how to buy, display and properly represent digital art. NFTs remain a contentious sticking point for various art industry factions — and indeed, some of our own artists are outspoken critics, and provide us with insight we understand and respect. Nevertheless, NFTs have also created an intersection of digital spaces, of which ours has a place and is worthy of exploration. The artists of In Media Res have collectively chosen to create 33 pieces of art. As an “angel number” in numerology (the study of the occult significance of numbers), 33 is associated with artistic expression and creativity. This number is also linked to collaboration and the importance of community. As the City of Angels, LA comprises thriving artistic scenes fed by the TV and film industry, video game industry, art world and cult of celebrity. The wide range of mediums, tools and narrative expressions in this exhibition — including analog video, film, animation, AI, game engines and XR – reflect the artists’ navigation of LA’s various creative industries. Despite its competitive nature, LA is home to an extraordinary collaborative spirit, without which FEMMEBIT would not exist. Below are future goals pertaining to this exhibition: FEMMEBIT is excited to announce its fiscal sponsorship by Fractured Atlas and our donors will continue to receive non-profit deductions for their donations. These proceeds will help support this digital exhibition, as well as FEMMEBIT’s day-to-day operations. The deadline to reach our goal of $20,000 is August 30th, 2023! You can now donate at paypal.me/femmebit. Finally, we’d love to give a special shout out to members past and present: Kate Parsons, Janna Avner, Sharsten Plenge, Giselle Zatonyl, Julieta Gil, Eva Aguila, Dahn Gim, and Richelle Ellis. And a nod to FEMMEBIT alumni: Abigail Raphael Collins, Ahree Lee, Alex Brown, Alexander kaye, Alice Yuan Zhang, Alison Greenberg, Amanda Joy, Amanda Siegel, Amanda Stojanov, Amanda Vincelli, Ambar Navarro, Ana Carolina Estarita Guerrero, Ana Iwataki, Angela Kohler, Angela Seo, Ann Hirsch, Anna Garner, Anna Wittenberg, Annapurna Kumar, Anne Bray, Atley Loughridge, Brittany Belz, Callie, Candace Reckinger, Cassie McQuater, Celia Hollander, Charlene Bagcal, Chloe Scallion, Christina Acevedo, Christina Phazero Curlee, Christina Yglesias, Claire Marie Vogel, Dahn Gim, Danielle Parsons, Davia Spain, Eileen Cowin, Elí Joteva, Elizabeth Leister, Ellie Pritts, Erica Ryan Stallones, Eve Weston, FLOAT, Floria Sigismondi, Freewaves, Geneva Jacuzzi, Giselle Zatonyl, Holly Willis, Institute for New Feeling, Isabelle Alburquerque, Isla Hansen, J. Makary, Jackie Stewart, Jackie Turpin, Jacquelyn London, Jane Mi, Janna Avner, Jeanette Bonds, Jeepneys, Jennifer Moon, Jennifer West, Jenny Rodenhouse, Jenny Sayaka Nono, Joanne McNeil, Julie Weitz, Julieta Gil, Justine Melford-Colegate, Kailee McGee, Kamal Sinclair, Kate Durbin, Kate Parsons, Kate Hollenbach, Kelani Nichole, Kim Schoen, Kim Ye, Kohinooragasm, Kristin Cammermeyer, Kristin McWharter, Kriz Tonian, Kyt, Laura Darlington, Laura Emel Yilmaz, Lena Daly, Lily Baldwin, Linda Franke, Marfisia Bel, Maria Lynch, Maya Livio, Melina Matsoukas, Mitra Saboury, Molly Soda, Nailah Hunter, Nancy Baker Cahill, Natalie Sun, Nikita Gale, Noa Kaplan, Omo Abode, Paisley Smith, Piper Mavis, Qur'an Shaheed, Rachel Mason, Rain Lucien Matheke, Rebecca Allen, Richelle Ellis, Ryat Yezbick, Sam Vernon, Samantha Culp, Sara Drake, Sarah Manuwal, Sarah Zucker, Selwa Sweidan, Suzy Poling, Szilvia Ruszev, Tani Ikeda, Tara Dilloughery, Tonia Be, Veronique d'Entremont, Victoria Fu, Weng Sang Sit, Xárene Eskandar, Yo-Yo Lin, Yoshie Sakai, Yuehao Jiang.
New Landscapes 2023 by Petra Cortright

Petra Cortright

New Landscapes 2023

Series of 33 works

Television Figures  by JJStratford

JJStratford

Television Figures

Series of 33 works

Allure of the Poppy by Anna Luisa Petrisko

Anna Luisa Petrisko

Allure of the Poppy

Series of 33 works

Drive Time by Casey Kauffmann

Casey Kauffmann

Drive Time

Series of 33 works

Arid Articulations by Ellie Pritts

Ellie Pritts

Arid Articulations

Series of 33 works

LA Hal-mee-mee thumbnail

Wednesday Kim

LA Hal-mee-mee

Series of 33 works

Waabanishimo: Miigaazh (She Dances Till Daylight: Fight) by Eve-Lauryn LaFountain

Eve-Lauryn LaFountain

Waabanishimo: Miigaazh (She Dances Till Daylight: Fight)

Series of 33 works

FeralFemme Huntrezz by Huntrezz Janos

Huntrezz Janos

FeralFemme Huntrezz

Series of 33 works

Echoloji by Tuna Bora

Tuna Bora

Echoloji

Series of 33 works

Petra Cortright avatar

LocationCalifornia, U.S.

Petra Cortright’s core practice is the creation and distribution of digital and physical images using consumer or corporate software. She became renowned for making self-portrait videos that use her computer’s webcam and default effects tools. Cortright’s paintings on aluminum, linen, and paper are created in Photoshop. Cortright lives and works in Altadena, CA. She studied Fine Arts at Parsons School of Design, The New School, New York, NY (2006-2008) and the California College of the Arts, San Francisco, CA (2004). Her works are in the permanent collections of the Museum of Modern Art (New York), The Péréz Museum (Miami), The Bass Museum (Miami), Los Angeles County Museum of Art, the Hammer Museum (Los Angeles), Moderna Museet (Stockholm), MOTI (Breda) in collaboration with Stedelijk Museum (Amsterdam), MCA Chicago, Kadist Foundation (San Francisco), BAMPFA (Berkeley, CA), the San Jose Museum of Art (San Jose, CA), Rhizome’s Net Art Anthology, and MOCA Los Angeles.
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JJStratford avatar

LocationCalifornia, U.S.

Jennifer Juniper Stratford is a director, photographer, and video artist from Hollywood, California. Inspired by a love of video art, outsider cinema, and experimental animation, her work feels like something you might catch on late night cable or on an obscure video cassette. She has photographed, concepted, and directed photography campaigns, teleplays, music videos, title sequences, station IDs, as well as designed immersive art installations, live performances, and stage visuals. Her work has been exhibited, broadcast, and screened internationally, including at MoCA, Palais De Tokyo Paris, Whitney Museum, The Hammer Museum, LACMA, The Getty, Cinemarfa, CPH:DOX, Museum of the Moving Image New York, New Beverly Cinema, BAM Cinématek. In 2018 she was awarded a grant from the Mike Kelley Foundation for the Arts.
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Anna Luisa Petrisko avatar
Anna Luisa Petrisko works in video, performance, sound, installation, textiles, virtual reality and interactive media. Her art is invested in the sacred as much as it is interested in technological speculation, exploring future and ancient ideas at a non-linear tempo. She investigates the body as a site of paradox — transcendent of time, space and form. Her intersectional identities are reflected in her multidimensional practice. Her work is grounded in community and archiving histories. She collaborates with many artists and friends. These shared works build relationships and cultural communion.
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Casey Kauffmann avatar

LocationCalifornia, U.S.

Casey Kauffmann is an interdisciplinary artist working in drawing, installation, video, and a variety of digital mediums. She is a lecturer at the University of California San Diego. Kauffmann was born in the San Fernando Valley in Los Angeles, California in 1989. She lives and works in Los Angeles, California and received her MFA from The University of Southern California in 2020 and her Bachelor of Arts from The Evergreen State College in Olympia, Washington. She has exhibited her work nationally and internationally with organizations and galleries such as TimesSquare Arts, Synthesis Gallery, etc. Kauffmann’s collage Instagram project @uncannysfvalley, which she started in 2014, features digital collage works and GIFs created using only her iPhone. The pieces Kauffmann posts to this account are an ever-accumulating collection of material from all corners of the internet, sourced from Tumblr, Instagram, and Google. This Instagram account and body of work have been exhibited in many galleries, written about in several esteemed publications, and led to her admission to the MFA program at the University of Southern California. Kauffmann’s drawing practice functions as an inquiry into the representation of femme emotion and hysteria in both art history and popular culture.
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Ellie Pritts avatar
Ellie Pritts (she/they) is a transmedia artist whose work explores reinterpreted nostalgia via recursive analog and digital processes.
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Wednesday Kim avatar

LocationCalifornia, U.S.

Wednesday Kim is an interdisciplinary artist and a co-founder of De:Formal Online. She is from Seoul, South Korea, and is currently based out of California. Kim works with a mixture of analog and digital media, including 3D animation, video, performance, installation, print, and sculpture with clusterfuck aesthetics. Her work is informed by personal experiences and human psychology; she derives imagery from nightmares, intrusive thoughts, and childhood trauma. Furthermore, she portrays the absurdity of information-saturated contemporary life in a surrealist fashion through wordplay, Wikipedia, voyeurism, and witticism. Recent exhibitions and screenings include: Mental; Science Gallery, Melbourne; “The Digital Weird”; Arebyte Gallery, Oline, London, UK; Well Now WTF?, Silicon Valley, Online; Meme is my culture, Spazio Y, Rome; Transmediale Vorspiel, Berlin; FASTLINE, Hervisions for Art Night 2019, London; CHRYSANTHEMUM, Underground Flower, Ho Chi Minh City; Project Marco Asylum, Museo d’Arte Contemporanea de Rome, Rome; SUPERNOVA Digital Animation Festival, Denver; 8th Cairo Video Festival, Medrar for Contemporary Art, Cairo; Lanzarote International Video Art, Cultura Lanzarote, Las Palmas; and Abstract Mind, CICA Museum, Seoul. Kim was shortlisted for the Mother Art Prize 2018 by The Procreate Project and was awarded the Audience Prize as part of the Parts & Labour animation programme as Derby QUAD in 2016.
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Eve-Lauryn LaFountain avatar
Eve-Lauryn Little Shell LaFountain is an enrolled member of the Turtle Mountain Band of Chippewa. She is a multimedia artist, filmmaker, and educator. Her work explores identity, history, Indigenous Futurism, feminism, ghosts, magic and her mixed Native American and Jewish heritage through lens-based media and installations. She is a Sundance New Frontier and Indigenous MacArthur Fellow, was a Flaherty Film Seminar Fellow, and has received support for her work from the Mike Kelley Foundation, the Andy Warhol Foundation, Cousin Collective and more. She has also been an Interactive Storyteller for Tribeca Film Institute. LaFountain was born into a family of artists and raised in Santa Fe, New Mexico. She is a member of the Echo Park Film Center Collective. She teaches experimental film, photography, and portfolio development workshops at the California Institute of the Arts, where she was also the assistant director of admissions for the School of Film/Video. She holds a BA from Hampshire College, and a dual MFA in film & video and photography & media from CalArts.
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Huntrezz Janos avatar

LocationCalifornia, U.S.

Huntrezz Janos, Afro-Hungarian artificer and cultural alchemist, casts an enchanting spell as a young luminary from Los Angeles. A trans-corporeal artificer embracing off-grid sustainable infrastructures and harnessing the power of solar energy, Janos fearlessly fuses art and technology with political action and environmental consciousness. With a boundless array of creative tools at their disposal, from installation to augmented and virtual realities, painting, sculpture, performance, and poetry, Janos conjures immersive experiences that transcend boundaries and provoke introspection. Her groundbreaking blend of cutting-edge technology, evocative aesthetics, and daring craftsmanship sparks a symphony of ideas, pushing the boundaries of what is possible. As a catalyst of cultural transformation, Janos challenges conventions and kindles dialogue through her thought-provoking creations. Guided by a profound gratitude for the uplifting arts community that surrounds her, Janos radiates a genuine eagerness to embrace the transformative power of collaboration and celebrate the beauty of diverse perspectives.
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Tuna Bora avatar

Artist

Tuna Bora

LocationCalifornia, U.S.

Tuna is a Turkish illustrator/animation director, exploring connection, norms, and identity. They are the award-winning production designer of Pearl (VR), and creator/director of Little Red (AR) on the Wonderscope app. They are best known for their distinctive storytelling style that transcends classic distinctions between narrative and experience design. Their other specialties include positively existential lectures on color, creative psychology, and design, as well as their 7+ year practice of publishing daily work. Their clients include Google ATAP, Nike, Netflix, DreamWorks, Disney Japan, Sony, Adobe, Coca Cola, and Buck.
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Petra Cortright presents "New Landscapes 2023"

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JJ Stratford presents "Television Figures"

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In Medias Res Exhibition Notes

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In Medias Res smart contract:ethereum