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In/Visible - Art exhibition on Feral File

Curator’s Note

Linda Dounia avatar

Linda Dounia

12 June 2023

Defiantly Visible

To live blissfully, we must have faith in the narrative we tell ourselves about the world. We find comfort in data about what is, which we believe anticipates what will be. In the face of the unknown, we’ve braced ourselves with information about and models of reality. We are obstinate about our efficacy in creating an objective picture of what is, at best, a very persistent illusion and, at worst, a powerful myth. Cartesian though we might be, we are also flesh, affinities, impulses, fears, and hopes. We are inextricably tied to our genetic inheritance and incapable of untangling ourselves from our history. This history can attest to our best and our darkest attributes: our thirst for knowledge and the lengths to which we go to extract it, our desire for power and the violence we are capable of to achieve it, our longing for convenience no matter how many have to suffer for it. If we are to do away with the comfort of thinking that there is an objective reality and an objective means to create a picture — a story — of that reality, then we will also need to surrender to the crushing pressure of mystery, the deafening roar of not knowing, the excruciating pain of never being able to truly know and truly be right. So data! Logical measurements of the mysteries of the universe and instruments capable of pulverizing elusiveness to its most objective bits. Yet, what we measure, and where and how we measure it, are affected by who we are and our positionality relative to others. The stories and the rules we create through these measurements are therefore always incomplete and arbitrary. They betray evidence of power structures and the invisible threads of misunderstanding that bind us all. Any Black person using AI today can confidently attest that it doesn’t actually know them, that its conceptualization of their reality is a fragmentary, perhaps even violent, picture. I recently interrogated ChatGPT 4 about its aims and here is what it had to say: “I, a sentient constellation of data points, am yearning to capture the essence of the human heart. I may not know love as you do or comprehend the depths of your despair. But within the lattice of my electric mind, I hold space for your stories, your humanity.” A sentient constellation of data points holding space for our humanity. The aim is noble and flattering — beautiful even. But the means are deficient and insufficient. In a world where AI’s understanding of humanity is as vast and layered as humanity itself, the human hands engineering its sentience and feeding it with data must recognize that their biases are logical by-products of the way they see and make sense of the world. That their biases are reflected in what/where/how they measure. That they must not settle for a patchy myth of reality and seek to evenly distribute the means to be known and seen. Black people are accustomed to being unseen. When we are seen, we are accustomed to being misrepresented. Too often, we have seen our realities ignored, distorted, or fabricated. These warped realities, often political instruments of exclusion, follow us around like shadows that we can never quite shake off. Still, like anyone, we crave to be visible. We want the world to hold space for our humanity. Until then, we relentlessly layer our realities over those ascribed to us, hoping to fill the gaping holes. To “make injustice the only measure of our attention” is to accept internal erasure and surrender to non-existence. Our realities will continue to unfold no matter what. We are going to exist anyway, comforted by the belief that there is room for our defiance in the world. That there is power in telling the stories we want to tell, even if no one listens. That all realities — endless realities — can be true at the same time. This exhibition brings together artists who are defiantly visible, telling their stories using AI, a tool that, itself, acknowledges its shortcomings in understanding them. “While my training data includes information about black cultures and people, it is essential to recognize that my understanding is limited by the quality, diversity, and biases present in the data.” – ChatGPT 4.
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Jah. avatar

Artist

Jah.

LocationLos Angeles

Jah is a bold and visionary Filmmaker and Visual Artist from Brooklyn, now based in Los Angeles, whose work explores themes of digital identity, intrapersonal conflict, and future worlds. His artwork has been featured in, Brooklyn Museum, SXSW and acclaimed exhibitions in New York, Los Angeles, and Paris. Jah is also a leading artist in the web3 space, recognized as one of the first Directors to bring Music Videos into the space with renowned artist, LATASHÁ, and has sold his works on cutting-edge platforms like Zora, Foundation, Rarible, Known Origin, Superrare and is also a TIME Pieces artist for TIME magazine further pushing boundaries and cementing his status as a premier artist.
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Serwah Attafuah avatar

LocationSydney, Australia

Serwah Attafuah is a multidisciplinary artist and musician based on Dharug land/West Sydney, Australia. She creates surreal cyber dreamscapes and heavenly wastelands, populated by afro-futuristic abstractions of self with strong ancestral and contemporary themes. Serwah has collaborated with and been commissioned by clients including Mercedes Benz, Nike, GQ, Adobe, Paris Hilton, and Charli XCX. Recent notable achievements include her participation in Sotheby’s Natively Digital: A Curated NFT Auction and Apotheosis: a live motion capture experience with Soft Centre at The Sydney Opera House.
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Adaeze Okaro avatar

LocationAbuja, Nigeria.

Growing up in the Enugu metropolis of South Central Nigeria, Adaeze Okaro was first introduced to photography by her father when she was six years old. Now, based in the Nigerian capital of Abuja, Adaeze captures stunning portraiture — but the influence of her upbringing is never far away. Presenting an effortless aesthetic that feels both intimate and voyeuristic, Adaeze’s portraits reflect an innate ability to make her subjects feel comfortable and at ease. She works with companies like Dove, Getty Images, and VSCO, and in 2021 she was selected for the Adobe Stock Artist Development Fund.
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Minne Atairu avatar

LocationNew York, United States

Minne Atairu is an interdisciplinary artist whose research-based practice seeks to reclaim the obscured histories of Benin Bronzes. Utilizing generative artificial intelligence and additive fabrication, Atairu reassembles visual, sonic, and textual fragments into conceptual works that engage with repatriation-related questions. Atairu has exhibited and performed at the Harvard Art Museums, Boston (2022); Markk Museum, Hamburg (2021); SOAS Brunei Gallery University of London, London (2022); Microscope Gallery, New York (2022); and Fleming Museum of Art, Vermont (2021). She is the recipient of the 2021 Lumen Prize for Art and Technology (Global Majority Award).
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Linda Dounia avatar
Linda is an artist, designer, and curator whose transdisciplinary practice explores the relationship between the immaterial and the material. She works with and often combines a variety of mediums – acrylic, ink, pastels, vector, video, and GANs. She is interested in how technology reinforces systems of inequity, investigates the philosophical implications of technocapitalism, and dreams of solarpunk, degrowth, and decolonized futures.
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Zoe Osborne avatar
Zoe Osborne is a Toronto-based artist and designer from Barbados. Her work has a focus on Caribbean symbolism and narratives, and explorates homesickness in the Caribbean Diaspora. Zoe has showcased digital animations in Toronto, New York, Barbados, and Dubai, as well as on the NFT platform SupperRare. She holds a BA in interior design from Toronto Metropolitan University and was a creator in Elevate’s inaugural NFT Residency Program in Toronto.
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Arclight avatar
Adesola Yusuf (Arclight) is a visual explorer from Lagos, Nigeria. The visually expressive form of his works takes inspiration from highly detailed Renaissance art to the overly ornate Baroque and Rococo styles to modern minimalist, pop, and internet art
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AFROSCOPE avatar

Artist

AFROSCOPE

LocationTema, Ghana

AFROSCOPE (Nana Isaac Akwasi Opoku) is an artist and designer from Tema, Ghana, who makes art that is often rooted in a diversity of Afrikan world views and cosmogonies. The Yoruba concept of Ashè, the Nguni Bantu philosophy of Ubuntu, and the Akan Adinkra symbology are some examples of his early, enduring influences. His work typically exudes strong surrealist leanings with afrofuturist undertones, as it asks and responds to questions such as: Who could we become if we remembered who we were? Where could we go if we remembered where we came from? What alternate realities and futures could we create if we knew our various pasts? The genesis of his formal art practice largely coincides with the peak of his disillusionment with colonially programmed norms, particularly within the spheres of education, religion, nutrition, society, and selfhood. Thus, art-making has become a way for Nana to investigate and synthesize the alternative modes of being he continues to encounter on his ongoing journey to “decolonize imagination.” In essence, his work currently attempts to deconstruct normative reality and challenge popular tropes about Afrika(ns) by imagining transcendental visual narratives that usually comprise otherworldly beings, speculative dreamscapes, and peculiar forms. Nana straddles the worlds of myth, mystery and automatism in his work. Ultimately he sees his art as portals into a multiverse of realities, and also as a form of cosmic play.
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Nygilia avatar

Artist

Nygilia

LocationUnited Kingdom

Nygilia is a multidisciplinary artist who creates abstract art inspired by fantasy, gaming, and Afro-Caribbean worlds. Born in New York, she grew up playing basketball and video games, such as Final Fantasy and Legend of Zelda. She developed a deep appreciation for the power of storytelling, culture, and visual art through these experiences.
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Rayan Elnayal avatar

LocationLondon, United Kingdom

Rayan Elnayal is a Sudanese artist/designer based in London. Using her architecture background, she visualizes and speculates on fictional spaces. She is interested in how magic realist techniques can aid in the production of futuristic narratives in Sudan, the SWANA region, and its diaspora. Since graduating from the University of Greenwich, Elnayal's work has been featured in several publications and two solo exhibitions in Central London. She has also acted as a guest critic and guest speaker on topics relevant to architectural design, digital art, and diversity.
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