Ido Radon prototypes technologies and protocols via laminations of futures and pasts, translations (the carrying across of realms), and deprecated tools and methods including applied material folk knowledges. Taking forms including sculptures, writings, sound, digital works, video, and publications, her research concerns the material activation of the immaterial and vice versa. She’s had solo exhibitions at Artspeak (Vancouver, B.C), Ditch Projects (Springfield, OR), Et al. (San Francisco), Jupiter Woods (London), Pied-à-terre (San Francisco), and Portland Institute for Contemporary Art as part of TBA, and shown work at the Henry Art Gallery (Seattle), RONGWRONG (Amsterdam), BFA/Castiglioni (São Paolo), and Titanik (Turku, Finland). Her most recent book, “Age of Sand” (2019), was an eco-cyberfeminist mystic speculative fiction.
