Mitchell F. Chan produces a diverse body of work, performed in both physical and digital public spaces. His blockchain-based work posits crypto as a harbinger of a fully dematerialized world, and conceptualism as a tool for understanding it. Examples include 2017's Digital Zones of Immaterial Pictorial Sensibility, one of the earliest non-fungible token artworks, and 2021's LeWitt Generator Generator, on Art Blocks. In physical spaces, he has produced permanent large-scale public projects across North America, most recently Monument to United Nations Peacekeeping Veterans (2022). His work has been discussed in numerous media outlets including Artforum, Kunstforum, VICE, Canadian Art, Slate, the Toronto Star, Gizmodo, and Art In America.
