Truth - Art exhibition on Feral File

bzor

From his cockpit in the Blue Ridge Mountains, K.C. Austin (aka bzor) spends his days shaping realtime software art systems of all stripes. With his passions spanning artificial life, modular synths, virtual reality, and consciousness research, K.C. crafts shaders and fashions creative pipelines like a spider spins webs.

Presstube

Montreal-based artist James Paterson (@presstube) has been exploring his unmistakable synthesis of drawing, animation and code online since 1997. An avid meditator, Paterson’s work is informed by a first-person fascination with the workings of the human mind, combined with an appreciation of the intricate wonders of nature being revealed by contemporary science. His solo and collaborative works have been shown in galleries and museums worldwide.

Charlotte Dann is a creative technologist and maker based in Brighton, England. She holds an MA in Computational Arts from Goldsmiths, University of London. Informed by a background in silversmithing and the pursuit of all forms of craft, her primary artistic theme is materiality. Her generative art explores how the essence of physical materials can be synthesized and translated to screen, and plays with the urge to touch. Dann’s work holds a tension between the stark digital code that facilitates the creation of her multifarious imagery, and the raw tangible materials it seeks to represent. Her work has been featured on Art Blocks Curated and as a Tender Icon.

Tyler Boswell is a creative coder and web developer currently based in Las Vegas, Nevada. He has a BS in computer science from Drexel University in Philadelphia. He creates geometric and organic abstract generative art using code, focusing on layers of colors and simple shapes to create complex and sometimes chaotic systems. He is heavily inspired by the beauty of math found in nature. Tyler's work has been showcased on fx(hash), as a Tender Icon, and at Art Basel Miami Beach.

HAL09999 uses codes and custom algorithms to create digital artworks.

Inspired by a strong interest for topics stemming from nature and sciences, HAL09999 combines curiosity, technology and chaos to explore aesthetics spaces and reveal or discover novel structures. In parallel with teaching computer sciences, electronics, physics and digital arts, the artist also worked as scientific and technical advisor for other contemporary artists and international art galleries.

HAL09999's productions have been internationally shown in New-York (USA), London (GB), Tokyo (JP), Paris (FR), Zurich (CH), Valencia (SP), and on multiple platforms on the Internet.

Currently lives and works in France, sharing time between Paris and the seaside.

Lisa Orth is a multidisciplinary artist based in Seattle, Washington, known for her work in the fields of generative art, graphic design, and tattooing. She was previously the art director of Sub Pop Records, notable for designing Nirvana’s first records and their iconic logo. While leveraging her traditional art and design background into the new digital art space, her abstract generative work explores the intersection of color, movement, textural collisions, and the connection between generative randomness and intuition. Her work has been included in exhibitions at Art Basel Paris + par, Vellum LA, NFT Show Europe, Seattle NFT Museum, Seattle Art Fair, Unit.London, Vertical Crypto Art, and Tannhäuser Generative Art Museum.

Ella Hoeppner is a generative artist based in Virginia. She is known for her work with particle systems, her focus on real-time and interactive pieces, and her vivid abstract textural imagery. She draws inspiration from biology, physics, and mathematics. With a passion for novel and experimental algorithms, Ella seeks to break new aesthetic ground with each piece and discover new directions for code-based generative art. Her work has previously been exhibited at Art Basel Miami, Bright Moments in Berlin, and the Non Fungible Conference in Lisbon.

David Seven is a conceptual artist based in The Netherlands. Award-winning architect by day and algorithmic artist by night, David’s work explores both the duality of human nature and the social condition. His visual work, created in partnership with a computer, is a performative dance of randomization and curation, whereby the artist interacts in real-time with an autonomous generative system. Passionate about emerging technologies, his work retains a romantic outlook on the traditional approach to medium. His digital work often has a counterpart in the physical realm, where large-scale prints can connect with the observer and encourage moments of reflection through intricate details and articulated narrative on canvas.